No Fun Link Friday :(

Unfortunately, as our resident blogger here at shinpaideshou is busy touring Ph.D. programs, we will not be having a new Fun Link Friday this week.

Check back next week, though, and we’ll have something awesome for you.

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Between Experiment, Form and Culturalism: Butoh in History and Contemporary Practice

May 20-22, 2011
University of California, Los Angeles

Despite Butoh‘s 50 year history, much of the current scholarly work in Japan and in North America still focuses narrowly on Butoh’s co-founders, Hijikata Tatsumi and Ohno Kazuo, or worse, assimilates Butoh to a variety of culturalist tropes and performance stereotypes. Little attention has been paid to the proliferation of Butoh training and performance in Japan since the 1970s and across the world since the 1980s, or to the experimentalism and openness that remain part of the genre’s continuing legacy. Between Experiment, Form and Culturalism: Butoh in History and Contemporary Practice seeks to remedy this gap in scholarship by bringing together leading Butoh practitioners and scholars from Japan and North America for a groundbreaking meeting that considers issues of the form’s historiography alongside contemporary questions of practice and aesthetics. The three-day symposium will convene an international scholarly and artistic community from disparate individuals who until now have had little opportunity to coalesce and will commence a dialog between academics and practitioners.

The three-day symposium will feature:

  • Performances
  • Movement workshops
  • Panel discussions with scholars and practitioners from Japan and the United States

Confirmed participants include:

  • Maro Akaji – Tokyo, Japan – founder of Dairakudakan
  • Katsura Kan – Kyoto, Japan – Director / Choreographer
  • Joan Laage – Seattle, WA – Dancer / Choreographer
  • William Marotti – UCLA, Associate Professor, Dept. of History
  • Bruce Baird – U Mass Amherst, Assistant Professor, Dept.
  • of Languages, Literatures and Cultures
  • Inata Naomi – Tokyo, Japan – Dance Scholar and Critic
  • Susan B. Klein – UC Irvine, Professor, East Asian Lang & Lit

More participants to be confirmed

Between Experiment, Form and Culturalism: Butoh in History and Contemporary Practice is partially funded at UCLA by the Terasaki Center for Japanese Studies and the Asia Institute, co-sponsored by the Japanese Arts and Globalizations multi-campus research group (JAG), and is hosted in part by the Departments of History and World Arts and Cultures.

For more information please contact: uclabutoh@gmail.com

Bruce Baird
Assistant Professor
Asian Languages and Literatures
University of Massachusetts Amherst
Butoh, Japanese Theater, Intellectual History

717 Herter Hall
161 Presidents Drive
University of Massachusetts Amherst
Amherst, MA 01003-9312
Phone: 413-577-4992
Fax: 413-545-4975

baird@asianlan.umass.edu

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Choosing the right Japanese Studies Ph.D. program for you

April 15th. The dreaded Tax Day. Or, for those hoping to break into academia, also known as Decision Day! If you’re like me, you’ve spent all of March and most of February agonizing over where the rest of your life is going to take you- which institution, which city, which professors.

 

Photo by .Mitch

Most Ph.D. program acceptances and rejections come out between mid February and mid March and you have until April 15th to decide where the next 5 to 8 years of your life are going take you- where you will find yourself poring over books until the wee hours of the morning and knocking back drinks with your cohorts to take the edge off. But how in God’s name do you make such a difficult decision? This is a question I’ve been asking myself (read as: tearing my hair out over) for the last month. And for some people who have decided to try again next year, the process of choosing and applying to programs has already begun again! So today I’d like to offer some points that people in the Japanese field have to consider when they venture into the Ph.D. program selection process.

As a preface, I have to say- I applied to programs in history for medieval Japanese studies. My criteria for selection will likely be somewhat different than a person going into, say, pedagogy or literature. But even so, I think that many of these points are useful for anyone in the Japanese field (or others) planning to commit themselves to a Ph.D. program. Just remember that your own experiences will be unique, as will your decisions also be highly personal. So here we go!

Faculty

One of the most important, if not the most important part of selecting a program is finding a professor with whom your research interests fit. In my case, the number of schools to which I applied was very few because Japanese medievalists (from the history perspective) are few and far between- only a handful or so in the country at larger institutions. So the first part of my selection process was to look online/ask professors/search scholarly articles for who the top people in the field were and see if their research interests matched my own.

Now, this is not to say that there MUST be a researcher in your field and time period present at the school you choose. One of the schools I applied to is without a medievalist, but someone in Edo period is still qualified to work with me. Why might I choose that school? Because the reputation of the school for producing top-notch scholars is good, and there are lots of professors in supporting fields with whom I could also work. Remember, your exams/thesis committee will in most cases be made of 3 to 4 people, not all necessarily in your discipline. Also important is the approach of the faculty you want to work with. Are they hands on or hands off? Do you want to be micromanaged? Is that better or worse for the type of study you want to do?

Supporting fields

Having people in supporting fields who may provide interdisciplinary insight into your work is essential. Just because I am entering a history program does not mean I will work only in history. It’s very likely that my research will have overlap in art history, literature, religion, and any other number of topics. Also, it is likely your research will take a transnational approach as well. So don’t only look at whether or not there is good supporting faculty in other fields, but also in other regions as well. For example, since I’m researching artisans in the late medieval age, I will also look at trade and coin exchange with China (facilitated by many metal casting artisans making progress in mining and minting in Japan!). So when deciding between my schools, I am also considering if there is strong support from China specialists in the same time period. I’ve also checked if there are European medievalists, since it is possible that I do comparative work with craftspeople in the West. (*Note: bringing up these types of transnational areas is really helpful in making a strong application as well!)

Cohort

Along the same lines, it’s also important to think about whether or not you’ll have a cohort of similar-minded students in your area of study. Is the department competitive or collaborative? Do you like the people you’ve met that are already in the department or coming into it?

This is somewhat of a double-edged sword. On the one hand, having a very collegiate group of students who are also studying similar topics can make for wonderful friends and collaborators, and even help to have seminars formed based around your thematic, regional, or periodic interests. On the other hand, being the only person to enter your department in your area of study can mean that you don’t have to compete with anyone for jobs come graduation, and that your advisor can focus on getting to know you better and more fully supporting your work and your attempt to get employed afterwards. Choosing between these options may depend on what you feel most comfortable with and what you think will be most conducive to your own working style.

Compatibility

It may go without saying, but I’ll say it anyway- with faculty, supporting faculty, and one’s cohort, compatibility is essential. Email these people! Meet them in person if you have the chance! Ask others in the department what working with them has been like. If you find that a professor’s personality, teaching style, or advising style doesn’t sit well with you, don’t force yourself to deal with it. Ph.D. will be one of the most stressful times in your life- you need to know you can work with the people who are there to for you and that they will be adequately supportive when necessary.

Language

There are two aspects to consider here- coming in with the right amount of language work under your belt, and making sure there is support for you to continue your language training.

First off, Ph.D. programs usually want you to be ready to research right off the bat. When it comes to be application time, having a lot of language training and having been to Japan is going to be something that makes you a strong applicant. Why? Because they want you to be ready to jump in! This is beneficial for you both- you won’t have to take extra years out of an already long program to get your language to an adequate level for advanced research, and the school won’t have to figure out how to fund you for those years (and you don’t want to pay for them out of pocket!). So I highly suggest you get as much language training as possible before you enter Ph.D., and if you still need some, inquire as to how high a level the university has for study. They may end up wanting to ship you abroad to get it done anyway.

If you’re in classical, medieval, or early modern Japan, you will definitely want to investigate whether or not your schools teach classical Japanese and/or kanbun regularly. Not only that, but if there are people in linguistics, literature, history, art, etc that are willing to do work with you for independent studies for these early languages, especially if you need to examine something very specialized like hand-written materials. For me, this has been a very important question.

Photo by kevingessner

Library and external resources

Of course, having an excellent library or a library that can easily acquire hard to find materials is essential. Ask universities about their special collections and permanent collections alike. Do they have a librarian/bibliographer specifically for Japan and/or China?

Also, some schools/fields support a number of external resources, such as institutes for Japanese Studies or History, etc. They may have a traveling scholars program, or a special research project going on that attracts and/or rotates outside individuals into lecture series or teaching at the school. There are also certain special arrangements like the ability to take courses at other universities for a year if the one you’re attending lacks a specialist in something you want to study. Be sure to ask about these extra options, as they aren’t always advertised.

Financial offer

The first thing most students ask about (of course) is the financial offer. If you’ve already been to graduate school for your M.A., then you know what it’s like to live the life of a starving grad. Financial packages differ depending on the school’s resources and how they structure their program. You may find yourself with anywhere from no funding to five full years, with various offers for TA work in between. You should read all the info on this very carefully. Also, look into the cost of living in whatever city your university is in (and look up the cost of apartments on the web) and crunch some numbers. Is it doable? What expenses do you have to think about? Ask current students if they’ve found the money to be enough. Even a great financial package will go down the drain if the cost of living is absurdly high. You may find out that an average school and a high ranking school end up giving you roughly the same offer when you compare them!

Summer funding

Is there a guarantee of summer funding or is it competitive? This is especially important for those of us who seek to do language work abroad. If things are competitive, how likely are you to obtain the funds? Ask current students about their experiences. One of the schools I was accepted to told me they don’t guarantee funding, and feel that having to compete for it makes you an even better scholar since you’ll be writing grant and other funding proposals for the rest of your life if you stick with academia. But some students have also told me that not being guaranteed funding isn’t a problem- that the department is so supportive that they make sure they do everything they can help you find the resources. This is the sort of information you need to seek out.

Teaching experience

Every school handles their graduate teaching positions differently. Will you be a teaching assistant for a class? A discussion leader? A grader? Get the details! Something else important to consider is how much freedom you will have- are you going to be teaching a course according to set guidelines? Will you, at any point, be allowed the creativity to form your own course and teach it? How much teaching experience you get will not only be important in terms of practical learning, but also in how attractive you are to other institutions when you’re applying for jobs.

Living

Research carefully the city that you might be moving to. What is the atmosphere like? Are there good or bad neighborhoods? What are the most expensive areas/most affordable areas? What is public transportation like? Is there an active night life? Cultural life? Is there an expat population? What’s the weather? The key is to select somewhere livable for you- don’t pick a place you think you might hate if you plan to spend the next 5 to 8 years being stressed out in it. It’s important to know yourself.

Statistics

The rankings of schools come up a lot on graduate forums and the like, but to be honest, I’ve never paid close attention to them. Maybe you’re the type of person who cares a lot about how the school you choose is ranked, and maybe you aren’t. Unfortunately I can’t give you much advice there. But more importantly, regardless of rank, look at a school’s job placement statistics. How many people graduate with a Ph.D. from your selected program and find employment? Are they tenure or non-tenure track positions? From the day you enter a Ph.D. program you should already be thinking about leaving it.

Current students

Current students are an essential resource for figuring out if an institution is right for you. Ask them a zillion questions- don’t hesitate! They have been in your position before and know exactly what it’s like. You could ask them anything, but I think two questions are most vital:

  • Are they happy?
  • What have been their most frustrating experiences upon entering the program?

These should give you a good gauge as to whether or not the program is working well for and supporting its current students. Of course, the individual experience is different for everyone, so don’t rely on any one students’ response.

Former students

Former students are another, often untapped resource, but I found this extremely helpful in my decision process. I managed to get in touch with a former student of one of my potential advisors and ask all about his/her own experience working under that person. Perhaps I might be next!

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This is my no means an all-inclusive list of things to consider, but hopefully a starting point for you as you try to figure out which Ph.D. program to apply to or which Ph.D. program to pick amongst your selections. Some people have a lot of choices, and some few. But the decision process is always difficult.

Photo by Scooter the Photographer

Before I end this lengthy post, I would like to make an additional, highly personal note on the prestige of academic institutions. Ever since I was in high school, I heard constantly about how I just had to go Ivy League. “If you don’t go Ivy League, you won’t get anywhere!” “You won’t meet the right people!” “You won’t get that high paying job!” “People will look at your Ivy League education and go, ‘Wow!’ and hire you!” “You can’t get a job without a degree from a top institution!”

I can’t begin to tell you how frustrated this made me. I didn’t want to go to a school for name alone. I had the option to apply to “the best”, certainly, but I knew I wanted a small liberal arts college where the class size didn’t number in the hundreds. As long as I could learn Japanese and go somewhere that felt right, I’d be happy. And I went! All in the face of “Going to a small place won’t get you into an Ivy League school for grad school!”

When it came time for graduate school? I applied and was accepted to two Ivy League institutions. So much for that argument! In the end, I didn’t go to either one. I chose another reputable program and it’s been wonderful. And even though I’m not at a “top” name school now, either? For Ph.D., I’ve been accepted to every school for which I applied, including the top three ranked schools for my field, the best of both East and West coast among them. What mattered was my effort and single-mindedness for my goals.

I will admit, regretfully, that having a degree from one of the “top” schools still holds some sway on the job market and is something to think about for your career. But I also believe firmly in the idea that it is your accomplishments, regardless of where you make them, that will make your career. What you do where you are (and with whom) does count. As does how far you reach outside of where you are to broaden those accomplishments through organizations, conferences, and other opportunities available in the field. It’s all about effort!

So while you consider whether you absolutely have to get into a top ranking school in order to succeed in life, please remember that although there’s no denying that these institutions do indeed offer fantastic educations and great opportunities, so do many other universities as well, and there is no shame in going somewhere not top ranked. If you closely consider all of the above aspects I have listed, you may find a spectacular school suited to your own work and personality, even if it’s not one of the top three, five, or even ten in the country. Success and happiness can neither be ranked nor judged in a name.

Best of luck to all those choosing their schools!

If you have any questions, feel free to leave a comment or email us at shinpai.deshou@gmail.com .

-Paula

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Call for Proposals: Residential Faculty Research Grants program for 2011-12

UC Berkeley‘s Institute of East Asian Studies invites applications for its Residential Faculty Research Grants program for 2011-12 for UC Berkeley and non-UC Berkeley Faculty and Scholars

Call for Proposals

OVERVIEW

The Institute of East Asian Studies (IEAS) at UC Berkeley is pleased to announce a faculty residential research initiative funded by a recent grant. This initiative will create a resident research community to engage in research projects concerning East Asia. Five themes, broadly defined, have been identified for the purpose of organizing research. Using these themes to set general emphasis, the IEAS invites Berkeley and non-Berkeley faculty members and scholars in all stages of their careers to submit research proposals grounded in any discipline in the humanities and social sciences (see Eligibility below). These proposals should be of East Asian content or relevance. Successful applicants will receive support to pursue independent research while in residence in Berkeley. They are expected to make at least one presentation on an individual research topic during the course of a semester and to attend discussion meetings. These meetings may be open to visiting scholars, doctoral candidates and graduate students at Berkeley. The objective of the program is to facilitate the creation of clusters of researchers who engage in conversations with each other while actively pursuing individual research. All projects funded under the program are expected to result in publications in English.

Non-Berkeley scholars who plan to be in residence at Berkeley and who seek supplements to sabbatical awards while on leave from their home institutions are also invited to apply. Award amounts, program guidelines and application procedures for non-Berkeley scholars are the same as for UC Berkeley faculty members.

Awards will range from $10,000 (for one semester) to $20,000 (for two semesters), to $25,000 (for a full year) and may be used for any purpose that is consistent with UC research policy. Funded activities may begin as early as July 1, 2011.

The IEAS envisions a resident faculty research community that will function as the center of gravity of an extended community of visiting scholars, doctoral candidates and graduate students in the advancement of new approaches to East Asian studies. The first year for the funded activities under this initiative will be 2011-2012. The initiative is expected to be continued into a second year (2012-2013) and a third year (2013-2014).

THEMES

Under this initiative the IEAS invites proposals in any discipline that bear relevance to any of the following themes, either with East Asian content or relevance, broadly conceptualized:

–sustainable and urban living

–nature, society and the humanities

–media, public and governance

–knowledge, professions and economy

— borders, boundaries and networks

Applicants should briefly indicate in their narratives how their project may fall within one or more of these five broad categories.

GUIDELINES for Proposals

Eligibility

Berkeley and non-Berkeley faculty members and scholars in all fields of humanities and social sciences, including those working in environmental, media, urban, legal and other studies, and in all stages of career are eligible to apply.

Applicants must have a regular faculty position at UC Berkeley or another university, or otherwise be established scholars at least five years out from having received the PhD. Recent PhD recipients (less than five years) who do not hold a faculty position are not eligible for this program, but should explore other post-doctoral opportunities in East Asian studies at UC Berkeley.

International scholars are also expected to be a regular member at an established research institution, and to have a home institution to return to at the conclusion of the award period. Ability to conduct research and engage in scholarly activities in fluent English is required for admission to this program. International scholars are also expected to meet all requirements to qualify for the necessary US visa (usually the J-1), such as minimum salary levels. The support provided through this program may be used to supplement funds provided by the home institution.

Applications should consist of the following:

1) Application cover page: project title and full contact information for applicant, including name, title, contact information (email, telephone, department/university postal mailing address);

2) Abstract of the research proposal (maximum 200 words);

3) Description of research proposal (maximum 2 pages, single spaced);

4) A bibliographical statement that places the proposed research in intellectual context (maximum one page, single-spaced);

5) Curriculum vitae not to exceed two pages;

6) A basic budget plan (see instructions below), not to exceed one page.

Applications should be sent by postal mail or email (preferred method, in one PDF file) to

Martin Backstrom
Associate Director
Institute of East Asian Studies
2223 Fulton St., 6th floor
Berkeley, CA, 94720-2318
Backstrom@berkeley.edu
(510-642-2815)

Questions about the program or the application procedures may also be directed to him.

BUDGET

Awards may be used for any standard and reasonable research expense that accords with relevant UC guidelines and policies governing research, including living stipends and salary supplements. Applicants must supply a budget statement that broadly outlines the categories and amounts of the intended use of the award.

Research travel may be included, but given the residential nature of the IEAS program, trips during the semester should be limited to no more than two weeks, or should otherwise take place during the summer months.

The maximum award for one semester is $10,000; for two semesters $20,000; with a maximum award of $25,000 for a full 12-month period.

DEADLINES and TIMELINE

The IEAS is currently accepting proposals for projects for 2011-2012. Those who seek affiliations in 2012-2013 will be invited to submit applications in fall 2011.

Applications for the 2011-12 academic year must be received at IEAS by Monday, April 11, 2011. Awards will be announced by late April. Funded activities may begin as early as July, 2011.

Martin Backstrom, Associate Director,
Institute of East Asian Studies,
University of California, Berkeley
2223 Fulton St., 6th floor,
Berkeley, CA, 94720-2318
Phone(510)642-2815)
Email: backstrom@berkeley.edu

Visit the website at http://ieas.berkeley.edu

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Site Review: Studying Basic Kanji with Phantom Thief Nekopy

http://www.nekopy.com/

“Kaitou Nekopi” (怪盗ねこぴー), Phantom Thief Nekopy, is a Japanese website designed to help elementary school children have fun while studying. It’s full of games related to all their school subjects: including math, science, social studies, English and kokugo– Japanese. But just because you aren’t wearing a randoseru backpack and yellow cap to school everyday doesn’t mean you can’t use their fun games and worksheets to practice for your school tests! It can be also be a great resource for teachers to recommend to their low level or intermediate students.

What you can find on Nekopy

Nekopy has many games and worksheets for practicing all the main school subjects. For Japanese, they host games for kanji 漢字, hiragana ひらがな, kotowaza ことわざ (expressions) and yojijukugo 四字熟語(four character compounds) study.

The Japanese (kokugo 国語) heading is where all kanji character related games are located. There are six sections to choose from. The first section is “Kanji Land” (かん字ランド), which has stroke order guides and games for all the first through sixth grade required characters. Each character set has six possible games– you can practice putting the characters together based on their radicals, matching the character to their reading, matching the character to its possible hiragana ending, creating compound words, memorizing characters in order for a quiz or doing crossword puzzles. With this selection, you can focus your studies on practicing readings, endings or radicals depending on what game you choose. The games also allow you to practice the same characters without seeming too repetitive, if you grow tired of one game you can try another. And of course, if a game seems too hard you can work on an easier one until you become more familiar with the character set for that grade level.

The second section is a “Daily Question” (今日のもんだい) category. Here you can find printable worksheets for practicing character writing and reading which are updated daily. Similarly, the third section has printable worksheets on words that use multiple characters.

The fourth and fifth sections are games to practice kotowaza and yojijukugo. In the first, they introduce 108 kotowaza. Kotowaza are expressions in Japanese such as “killing two birds with one stone” (issekinichou 一石二鳥) or “even monkeys fall from trees” (saru mo ki kara ochiru 猿も木から落ちる). The 108 kotowaza introduced on Nekopy can be practiced through an online game or print out illustrated cards for you to drill on your own. The yojijukugo section contains an unscrambling game to quiz your yojijukugo knowledge.

The sixth section contains submissions from students who have written stories and poetry. Although these are of course not professional work, they can be an easy and interesting way to try and start reading in Japanese.

Beginning level Japanese students also might be interested in the hiragana related practice. Under the main subject selection is another category with orange buttons which is targeted at children in kindergarten or soon-to-be elementary schoolers. Here Nekopy hosts printable hiragana worksheets under the “Hiragana wo oboeyou” (ひらがなおぼえよう)section and a puzzle game in the “Hiragana bara bara” (ひらがなばらばら) section. The “Hiragana bara bara” game features a broken hiragana making robot. Users drag and drop strokes to recreate the hiragana the robot broke. If successful, the characters will spell a simple Japanese word and an image will display based on that word.

Using Nekopy as a Study Tool – Pros and Cons

There are many approaches to studying the Chinese characters, kanji, that are used in Japanese. Students who are goal oriented often chose to study based on The Japanese Language Proficiency Test (JLPT) levels, training themselves on the characters likely to appear on the level they hope to take next. Some students use a method which focuses on learning the English meaning of the characters first and going back to learn the Japanese readings later. Another approach is to try and learn the characters the way Japanese school children do, basing one’s studies on the characters required for each primary and secondary school grade level (kyoiku kanji 教育漢字).

As Nekopy’s target audience is Japanese school children, the game levels (divided by grades) cater best to students studying in the last method mentioned above. You cannot pick and chose what characters to be included in the games or make your own personalized worksheets to print. Everything is preset based on the first through sixth grade required school characters.

Another downside to the site is that it is quite childish, for obvious reasons. However the same cutesy animations and dialogue that keep young children entertained may be a turn off to those looking for serious study. It is also worth noting that there is no English option, which means beginner level students may feel a bit lost trying to navigate the site and read game instructions. There are also of course no English definitions for the characters introduced, so a dictionary may be needed when challenging a new set of characters for the first time.

But overall, regardless of your method of study, Nekopy can be a fun way to review and practice. Between first and sixth grade Japanese children learn approximately 1,006 characters, which means both beginner and intermediate students of Japanese should be able to find a level that is challenging for them. The wide selection of games helps keep practice feeling fresh and is a nice change of pace from flashcard drilling sites. The kotowaza and yojijukugo games can also provide a nice addition to your studies by helping you memorize the character in a full word or sentence instead of by itself.

So, how do your kanji skills stack up? Are you smarter than a Japanese third grader?

– Laura

Images of Kaitou Nekopi copyright(C) 2002 Jun Egusa/子供向けサイト「怪盗ねこぴー」

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Call for Papers: International Workshop: “East Asian Cities and Globalization: The Past in the Present”

University of Warwick, July 9-10

This workshop is part of the ESRC-funded project “East Asian Cities and Globalization: New Perspectives” affiliated with the Global History and Culture Centre at the University of Warwick.  It aims to bring together an interdisciplinary group of scholars working on globalization and regionalism as it applies to urban development, urbanization, and city life in East Asia. While East Asia is a region rich for such investigation, there has been little in the way of systematic attempts to move beyond discipline-based enquiries into the forms and processes of regionalism and globalization here. A major goal of this workshop is to form a dialogue between disciplines, and identify different types of trajectories that various cities have taken here as they have become wholly or partially enmeshed in the processes of globalization.

We welcome papers on both historical and contemporary themes and which may focus on case studies of individual cities, or on the connections, networks and flows between them.  Topics might include legacies of imperialism/colonialism, the rise of instant cities, “pre-globalizing” cities, cosmopolitanism, and consumer cultures.

Paper abstracts (500-700 words) and short CV (2-3 pages) should be sent to c.a.hess@warwick.ac.uk , by April 4th  2011. Informal enquiries may be directed to the same address.  We aim to take selected publications forward for publication.  Participants will receive Travel expenses and room and board will also be provided.

Further details can be found at the project website: http://www2.warwick.ac.uk/fac/arts/history/ghcc/research/esrccitiesnetwork/

Christian A. Hess
RCUK Academic Fellow/Assistant Professor
Department of History
University of Warwick,
Coventry, CV4 7AL, UK
(+44)(0)24-7652-3380
C.A.Hess@warwick.ac.uk

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Call for submissions: Stanford Journal of East Asian Affairs

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On behalf of the Stanford Journal of East Asian Affairs, I would like to extend a warm invitation to students to submit their work for the upcoming 2011 issue.

The Stanford Journal of East Asian Affairs showcases outstanding papers on East Asia and Southeast Asia written by undergraduate and graduate students; it is one of the few publications in existence with such a mission. SJEAA accepts original articles from all academic disciplines pertaining to China/Hong Kong/Taiwan, Japan, Korea and Greater East Asia (including Southeast Asia). Published editions of the journal include topics such as politics, international relations, economics, history, literature, and the arts. Supported by the Stanford Center for East Asian Studies, SJEAA is currently distributed internationally and regularly receives submissions from leading universities in the US and abroad.

SJEAA is currently accepting submissions for our 2011 edition, and welcomes submissions from students at your institution. We also accept book review submissions for books whose first publication date is between 2009 and 2011. Book reviews should be above 900 words in length.

The deadline for submissions is April 3rd, 2011 . Submissions guidelines can be found here:

http://www.stanford.edu/group/sjeaa/submissions.html

Do not hesitate to contact me by email at xinshan@stanford.edu should you have any questions.

Xin Shan
Publicity Director
Stanford Journal of East Asian Affairs
Center for East Asian Studies,
615 Crothers Way, 100 Encina Commons
Stanford, CA 94305
xinshan@stanford.edu

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Fun Link Friday: How’s it made: Sake!

With all that’s going on overseas, we hope that our continued posting as usual here helps take some peoples’ minds off of everything. Or at least that this post encourages you to sit back, take a deep breath, and treat yourself to a drink!

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Photo by tokyofoodcast

Sake 酒. It is a word that many of us are familiar with, perhaps too familiar with, and yet the brewing process as well as the differences between types of sake remains a mystery. I for one have always enjoyed drinking sake, but I realized one day when I went to the store to buy a bottle as a gift for a friend that I know very little about it. Thinking I would just be able to run to the store, grab something quick and go, I was brought up short by the incredible wall of choice facing me. There must have been hundreds of bottles! I had no idea where to begin. My curiosity was piqued and I figured that it was time to stop drinking sake indiscriminately and start learning a bit more about the drink that is the pride of the prefecture I live in, Akita.

To begin my quest, I went on a tour of a sake brewery near my small town in Akita, Japan. Akita sake is well known throughout Japan for being especially good. This is probably due to the fact that Akita rice is the best in Japan and sake is a rice wine. The tour was conducted in English and it was a lot of fun to see the giant vats of sake in the different stages of the brewing process. My favorite part of the experience was learning about rice polishing. The degree to which the rice grain is polished determines the style of the sake. I learned a great deal on the tour and it got me thinking that there have to be some good resources about sake on the web which brings us to today’s fun link, Sake World.

Sake World has everything the common man could ever want to know about sake. The website was created by John Gauntner, the leading non-Japanese authority on sake in the world. He has written several books and articles on the topic and he is a certified Master of Sake Tasting. He has also achieved Sake Expert Assessor certification from Japan’s National Research Institute of Brewing. He is the only non-Japanese person to have received both of these certifications.

If you want to know more about how sake is made, the different types of sake, and how to not look like a fool when purchasing sake, this website is the perfect way to get started. I highly recommend it. Kanpai!

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Translators needed for earthquake/tsunami relief!

Thanks to Playing with Hire for forwarding the message! Take a look if you have the language skills to help!

—

PNWJETAA President
pnwjetaa.president@gmail.com

Hi all– volunteer translators are needed to go to Japan to help with the aftermath of Japan’s earthquakes & tsunami, as international rescue teams have communication difficulties. See below and forward widely.

* 東日本大震災救援、「通訳ボランティア」募集!!!

(この募集は、ご友人・知人にも、なるべく多くご転送下さ い。)

各位

この度の「東日本大震災」による甚大な被害につき、外国からも 多数の救援チームが駆け付けて下さっています。しかし、生き埋め・行方不明者捜索や負傷者治療等の様々な現場 において「通訳」が絶対的に不足しています。そこで、(国家資格)通訳ガイドや医療通訳士、航空会社JALのOBや一般の方々で語学堪能な方に、一人でも多く「東日本打大震災・ボランティア救援隊・通訳チー ム」に応募して戴きたく、何卒よろしくお願いします。ボランティア募集条件は、日本政府の指示に従って、16日(水曜日)以降、いつでも出動可能な元気な方で、年齢・性別などは問いません。

但し、できれば、英語・中国…語・韓国語・ロシア語・フランス語に得意な方を望みます。

恐れ入りますが、応募して戴くボランティアには、報酬を始め、 交通費や食費についても支給約束はできませんが、善意の救援活動志願者を募集します。

★救援隊・通訳チーム本部事務局

東京通訳アカデミー・学院長・岡村寛三郎

岡村寛三郎の携帯電話090-9097-7613 Email:okamura3@oksemi.co.jp

JGC&TIA事務局・藤上理奈、Email Address:fujigami@coolworldexpo.co.jp

〒101-0052東京都千代田区神田小川町2丁目6番12号 東観小川町ビル8階
☎03-3233-7518 or 03-5577-6293 Fax.03-3294-7410
★応募者は、至急、下記の事項をEmail又はFaxにて、上記の岡村寛三郎又は藤上理奈までお知らせください。

お名前、性別、年齢、得意な外国語、〒と住所、連絡電話番号 (固定式電話)、携帯電話番号、 Email Address:

平成23年3月14日 月曜日
東京通訳アカデミー・学院長・岡村寛三郎
NPO日本通訳案内士連合(Japan Guide Consortium=J.G.C.)理事長
一般社団法人日本メディカルツーリズム協会・副理事長

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Job opening: Postdoctoral Teaching Fellow, Japanese Studies

Institution:   Earlham College
Location:   Indiana, United States
Position:   Post-Doctoral Fellow

Earlham College seeks applications from recent Ph.D. recipients (or ABD’s) for a one-year Teaching Fellow position in Japanese Studies, specialization in any academic discipline.  Significant graduate coursework and research experience must be in Japanese Studies.

Responsibilities will include a teaching load of 4 courses over 2 semesters. Courses may be comparative in nature, but each course should include at least 50% Japan content in the form of lectures, readings, and assignments.  The Teaching Fellow will be expected to participate in the intellectual life of the Japanese Studies Program and the cultural life of the College.  The stipend for the 2011-12 program is $36,000.  The College will provide office space and other amenities, assistance in locating housing, and conference travel funds. This one-year position is not eligible for health insurance, retirement, or other such benefits.  See  www.earlham.edu/jobs .  Applications received by April 4, 2011, will receive full consideration.

Contact:

Gary DeCoker
decokga@earlham.edu
Website: www.earlham.edu/jobs

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