Job Opening: Part-Time LEO Lecturer, Screen Arts and Cultures

From the University of Michigan. Original posting is here.

The Department of Screen Arts and Cultures is seeking a LEO Lecturer I. The starting date is September 1, 2011. This position is pending final approval.

Responsibilities

Responsibilities include course coordination and teaching one course on Asian Cinema in the Fall term 2011 and in the Winter term 2012.

For the Fall term 2011 the course will be SAC 485: The Global Screen: Contemporary Film and Televisions in Globalizing Asia This course will offer a comprehensive survey on contemporary film and television industries in Asia including mainland China (PRC), Hong Kong , Taiwan, Japan, Korea, Thailand, and India, which have often been grouped under the regional cinematic entity called Asian Cinema. The subject has usually been treated within models of national cinema, which take film industries as relatively self-contained enterprises subject of state regulations and specific local and historical conditions. This course instead adopts a transnational approach to the regions film festivals, and the rise of trans/multinational media corporations in Asia in the context of the intensified globalization, cultural hybridizations or global melange, the national versus the transnational, new regionalism, and the unprecedented cultural flows and mixes in Asia. This course will prove useful not only to cinema studies students but also to Economics, Media Culture and Communication, and East/Southeast Asian studies students, as well as those who are interested in understanding how and why certain contemporary Asian films and television programs get produced, distributed and consumed, and how they created a regional/trans-regional cultural phenomenon.

Required Qualifications

Applicants should have a Ph.D. degree or ABD status in cinema studies and teaching experience at the university level, with a specialization in Asian Cinema and Television. Applications will be selected based upon demonstrated subject matter expertise, successful performance in the classroom, and the needs of the department.

How to Apply

Send cover letter, c.v. and list of references to Professor Markus Nornes, Chair, Department of Screen Arts & Cultures. Review of applications will commence immediately and the anticipated date by which an offer will be made is mid-April 2011. Apply here.

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Job Opening: Assistant Professor of Cultural Anthroplogy

See posting on HigherEdJobs.com for details.

POSITION:
The Department of Anthropology/Geography at California State University Stanislaus invites applications for a full-time, tenure-track appointment at the rank of Assistant Professor of Cultural Anthropology. This position is designed for a person who can enrich the Anthropology curriculum and contribute to the College of the Arts curriculum with expertise in digital media and the visual representation of culture.

The successful candidate will have the relevant technical expertise in media production, an active research agenda that reflects the methodologies of visual anthropology, and a willingness to integrate students into their research. The successful candidate will demonstrate excellence in undergraduate teaching in Anthropology and teach in the following areas: Cultural Anthropology, Digital Media and Visual Anthropology, Peoples and Cultures of Asia, and Anthropology and Global Issues.

Additional duties will include programmatic development in digital media and visual anthropology at both the undergraduate and graduate (MA) levels. Effective teaching, scholarly productivity and service to the University are required for retention, promotion, and tenure. This position is contingent upon the continuing availability of authorized funding.

MINIMUM QUALIFICATIONS:
The successful candidate for this position will have a Ph.D. in anthropology or related discipline and strong interdisciplinary training linking digital media production and visual/cultural anthropology.

PREFERRED QUALIFICATIONS:
A potential candidate’s consideration will be enhanced by providing evidence of the successful application of new technologies to the visual representation of culture in global context and in ways that feature the rich cultural diversity of our region. A specialization in Southeast Asian cultures is desired.

HOW TO APPLY & DEADLINE:
A complete application must include: an application letter, specifically addressing the position
description and qualifications; unofficial photocopies of graduate transcripts; a CV, including the names, addresses, and telephone numbers of three references. Official transcripts will be required at the time of hire. Candidates are encouraged to submit an example of their media work. Screening of completed application files will begin on March 4, 2011. The position will remain open until filled. This appointment begins on August 16, 2011.

Send applications, and all other correspondence concerning this position vacancy, to:

Dr. Sari Miller-Antonio, Director of Anthropology
Department of Anthropology/Geography
California State University Stanislaus
One University Circle
Turlock, CA 95382

ABOUT THE DEPARTMENT and THE COLLEGE:
We are a small collegial department of teacher-scholars committed to offering experiential opportunities that enrich the study of anthropology. The College of Humanities and Social Sciences consisting of 15 undergraduate majors, is supportive of interdisciplinary connections that are innovative and responsive to a diverse global society. To learn more about us, visit our Web site at: www.csustan.edu/anthro

Application Information
Postal Address: Dr. Sari Miller-Antonio, Director of Anthropology
Department of Anthropology/Geography
California State University Stanislaus
One University Circle
Turlock, CA 95382

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Oral Proficiency Interviews: What to Expect

Photo by AliciaV

Anyone who has taken Japanese has, at one point or another, been subject to a dreaded oral exam come test time. Oral exams can be one of the most stress-inducing parts of taking formalized Japanese study, regardless of how long you’ve been working on the language. However, one particular type of oral exam, the OPI, or Oral Proficiency Interview, is an verbal examination done entirely in Japanese that lasts anywhere from 20 to 40 minutes. You should be prepared for this type of exam if you intend to keep learning Japanese past the initial four years of undergrad.

I first encountered OPIs in my last year of undergraduate Japanese study (my final exam, actually), but I have since been subject to them twice an academic year for two years of my Master’s degree. Although there are likely many situations in which an OPI of some kind is administered, in my experience, typically OPIs have been used as a means for the government to measure language proficiency before and after receiving financial support for developing language skills. In my case, I received multiple Foreign Language Area Studies fellowships to sponsor the continuation of modern Japanese both domestically and abroad. OPIs are an effective way for the government that provides these kinds of fellowships under Title VI to measure whether or not their financial support had fruitful results.

Who administers OPIs?

This is actually something about which I’m unsure- I believe there are official individuals associated with the FLAS organizers who typically administer the exam over the phone. These people are likely trained professionals or language professors who have passed a type of qualification training to be able to administer the exams. Because I am deaf in one ear and have difficulty performing phone interviews, I was able to be made an exception and have a local professor at Ohio State who obtained her qualifications in OPI testing administer my exam. But for others without disabilities or a local proctor, you should probably expect to take the interview by phone.

What is the structure of a typical OPI?

I can only speak to my own experience, of course, but the structure has been as follows:

Talking about one’s daily schedule/life/hobbies

This is standard in any oral exam, and is just a way to get you warmed up and check that you know the basics. Talking about daily experiences, telling the professor what day it is, describing your patterned schedule and the events therein- basic stuff from your first year or so of Japanese training. Remember that you can always elaborate on one point, add your opinion, and give it a little flair that shows you can carry on a conversation.

Discussing recent news/events

Before an OPI, it would be to your advantage to study recent news and related vocabulary. Both the American news and Japanese news may be brought up. I can’t remember all the topics that I had in previous exams, but I remember in one of them getting asked about the oil spill in the Gulf coast, a topic for which I did not know all the vocab! These were just some of the questions I recall that came up:

  • What do you think will happen with the oil disaster?
  • Some people say the company is to blame for what happened- do you agree with them?
  • Do you think that the company should be responsible for cleaning up the oil leak? Or do you think all the affected countries should participate?

Similar to the above, you can expect that several questions on the same topic will occur, so being prepared to give your opinion in detail is important.

Talking about the plot of a favorite book/movie

This is another point where preparation beforehand is key. You may know what your favorite movie or book is, but having the words to describe a plot cohesively? That takes a bit more thought. I got caught off guard with this once and found myself pulling the plot of season 2 of Heroes out of nowhere because I realized I only had the vocabulary to talk briefly about super powers and viruses. On a better day I described the setting of a pseudo-medieval Europe fantasy trilogy and once I described a children’s (?) novel by Clive Barker (The Thief of Always, a favorite of mine, FYI J ) because the plot is very straight-forward and the vocab easy enough that I could string together the events quite fluidly. Don’t struggle to use a bunch of vocab you don’t know unless that’s your style- the point of this exercise is to get you speaking cohesively on a continuous topic, not judge your vocabulary set harshly.*

* It’s worth noting, however, that part of the evaluation is whether or not you use a sufficient amount of compound words (kanji compounds) in your conversation, not just regular Japanese words.

Giving one’s opinion on a subject

In addition to giving your opinion about news topics, it’s very likely that you’ll be asked any number of other questions where you have to give your opinion. Some of them are pretty standard, and others could completely blow your mind with their randomness, depending on who is giving you the exam. Here are some examples (on two different subjects) of what I’ve been asked:

  • What do you find most challenging about doing a homestay? (Note: I was doing homestay at the time of my study in Japan)
  • What do you do when you don’t agree with your host mother about something?
  • What advice would you give to students who want to do homestay?
  • Do you think homestay is safe to do? (Note: I found my homestay without an affiliated institution)
  • I recently saw a news report about hitting your children. Do you think parents should hit their children?
  • The news piece said that if you don’t hit your children, you can’t teach them right from wrong. Do you agree?
  • Would you hit your children?
  • How would you teach your children right from wrong?

As you can see, the questions could truly be anything, and you may find yourself talking about something for which you’re entirely unprepared. Gotta say I wasn’t expecting to talk about the moral issues of corporal punishment and how I’d teach my kids right from wrong. But everything is fair game!

Role play

The role play section of the exam can be one of the most stressful, in my opinion. Whereas you have the freedom to direct the conversation about the news, your interests, and your opinion, here you’re expected to work with a situation that uses a particular vocabulary set and it’s completely on the fly. The examiner will choose a situation from a set of cards and tell you what the situation is (in English, I believe- I was handed the card with the situation in English on it, but I’m not sure how the phone interviews work). You have a moment to read the card, think on it, and then the role playing begins. Here are some examples of situations I have had to play out during my graduate career:

  • You are a businessman/woman and you’re working overtime at the company. You go out to get a snack, but forget your ID card and need to convince the security man to let you back in the building.
  • You have witnessed a car accident at an intersection. Make a phone call to the police and report the incident.
  • You have just won first place in a speech contest. Make your acceptance speech. (And then there was a follow up where I had to go home and tell my 7 year old son about winning the contest)

As you can see, the situations are varied and you have to think on your feet. Your teacher will be playing the other role and prompting you (I had a particularly stubborn security guard). Obviously there are key words to use in these situations, as well as keigo (polite speech) needed to sound as natural as possible. I have to say, I’m still shaky on exactly what one says in these situations, but it was certainly an experience. No matter how many OPI exams I take, they still get me nervous and I still fret about having no idea how to do things like call the police. (Do you use keigo? Or just use informal speech and freak out a lot to sound more natural? 😉 )

Evaluations

The image below is a scan of my OPI role play evaluation in undergrad. Please keep in mind that this was not an OFFICIAL interview, but a sort of preview/practice interview so we could get accustomed to what a real OPI formats are like. Therefore, the following evaluation is a rough estimate of what the real thing could possibly be based on:

(Now you can all see how good I was in fourth year Japanese! 😉 )

The actual, official post-OPI evaluation labels your skills on a 10 level scale as follows:

–          Beginner – Low
–          Beginner – Mid
–          Beginner – High
–          Intermediate – Low
–          Intermediate – Mid
–          Intermediate – High
–          Advanced – Low
–          Advanced – Mid
–          Advanced – High
–          Native speaker

Of course it’s the government’s hope that you’ll go up at least a level to prove that they didn’t give you money for nothing. But also keep in mind that these grades have absolutely no impact on your classroom grades at all- it’s just a way for the government to keep track of your language progress and decide whether or not their money is actually helping you progress.

As I said, I’ve only encountered OPI exams in the context of FLAS fellowship awards. But I imagine they are used for all kinds of evaluations, scholarship related and otherwise. Hopefully this has been a decent introduction to the OPI testing process to help you prepare for the exam and put forth your best efforts to speak fluent Japanese. Ganbatte ne!

– Paula

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University of Michigan Ross School of Business: Japan Night Benefit

This information comes to us from Masashi Nishio via the Center for Japanese Studies’ mailing list.

The U of M Japanese Community will hold Japan Night, a fundraising event, for Japanese causalities in the areas impacted by the devastating earthquake and tsunami, with some Japanese entertainment and tasty Japanese foods.


Japan Night – A Fundraising Event for the Earthquake in Japan

* When: 4/14 (Thursday) 6:00-9:00pm
* Where: Live at PJ’s, 102 South 1st St., Ann Arbor, MI 48104-1304
* What: Sushi, Performance, Raffle Prizes, and a Night of Music and Dance
* Price: Advance $12 ($15 at the door)

Online tickets are now available, so please RSVP to secure a seat for this event!!!

Registration: https://ross.campusgroups.com/rjba/rsvp?id=36468

Fundraiser site for donation here.

We are collaborating with Peace Winds Japan to provide aid to one of Japan’s most badly hit cities, Kesennuma. Peace Winds Japan has already set up initial operations in Kesennuma and is now delivering food, water and blankets to various shelters. Funds collected though these fundraising activities will be used to aid recovery of this devastated city. Detailed usage of collected funds will be determined as needs become clearer, and all the donations made through this site will primarily be transferred to Peace Winds Japan.

Japan has received tremendous and courageous help and messages of hope from all around the world. Our friends and relatives have all shared their accounts of how others have helped them overcome overwhelming difficulties. Your support is needed to help the victims of this tragic event.

-U of M Japanese Community

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Traditional Theatre Training in Kyoto

Interested in traditional Japanese theater? Check out this amazing opportunity to study under masters in Kyoto! Early bird deadline for applications is April 15th!

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Designed to overcome obstacles of time, introductions, money, and language, T.T.T. offers daily study with masters in noh dance-drama, kyogen stylized comedy, or nihonbuyo classical dance.

Classes are small, 6-8 persons, teachers masterful, with little interpreting needed. A recital on the Oe Noh Theatre in downtown Kyoto culminates the training. This year, the 2-day Orientation/Workshop sessions are also open to independent participation. There are partial scholarships for artists and teachers, veteran and early-bird specials.

●Requirments
Students, performers, teachers, and Japanologists of all ages, genders, and nationalities. (Kyogen requires basic Japanese conversational ability.) Orientation and Workshops are conducted bilingually, while the physical training requires little interpretation.
Participation for the workshop only is also possible: see homepage for details.

●Tuition
General 80,000 yen / Student 60,000yen

This includes Woskshops, training, and Recital fees.
Veterans of previous T.T.T. will receive a 20,000 yen discount (General 60,000 / Student 40,000)
Artist scholarships are also available by selection (60,000)

Those completing applications before April 15th will receive an additional 5,000 yen discount.
*Participants are need fans and tab (split- toed socks) for daily practice. We will advise you how and where to purchase them(these should cost less than 10,000 yen).

●Application Procedures
Complete the Application Form and send it to the Kyoto Art Center by post or complete it on the web site.

●Applications
Applications are accepted on a rolling basis until the course is filled. Notification will be sent out by late July at the latest.
*Please send profiles (c.v. or artistic / educational background), and statement of purpose by attachment (any formats is acceptable in A4 or lettersize).

●Housing
Participants are welcome to find their own accommodations, or we will make arrangements (approximately 5,000yen~/day). For more details or special needs, please ask us.
Please indicates the dates between July 21-August 12 that you will need housing.
*if you wish to arrive earlier or stay later, this may be possible: please indicate your planned dates of arrival and departure.

Please see temporary homepage for further details:

http://en.kac.or.jp/category/46

http://en.kac.or.jp/bi/334

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Japanese reference materials for Japanese cinema

Yale University has recently launched a fantastic web resource for students and researchers working on Japanese cinema available through the Yale University Library website. Simply titled “Japanese Reference Materials for Japanese Cinema,” this compilation is originally based off of a research guide written by Aaron Gerow and Abé Mark Nornes. As stated by Gerow on the site:

This is a guide to reference and other materials in Japanese in the Yale University Libraries that are useful in the study of cinema in Japan. In part due to the lack of institutional support for film studies in Japan, research on Japanese cinema still suffers from the absence of systematic and comprehensive reference materials, such as complete filmographies, periodical indexes, and biographical dictionaries. While there have been many reference works published in Japanese, they are often incomplete and require the researcher to navigate through a maze of different resources even when pursuing a simple topic. The best guide to those resources is Research Guide to Japanese Film Studies, which I co-wrote with Abé Mark Nornes and which was published in 2009 by the Center for Japanese Studies at the University of Michigan. It contains an annotated guide not only to bibliographic resources but also to the major archives and libraries useful for studying Japanese film. This online guide is not a substitute for that essential work, but rather presents some of the major materials with minimal annotation, with a focus on materials available at Yale.

This site is a fantastic bibliographic resource, with references to filmographies, film criticisms, bibliographies, script collections, company histories, biographical dictionaries, film encyclopedias, film periodicals, film year books, film histories, digital media, and other internet sites. Each of these tabs also includes a helpful overview explaining how these resources are useful and what kind of content they include.

The only downside to this collection is it’s premise – that all the sources are in Japanese, so beginners in the field without much in the way of language skills will find them inaccessible. On the other hand, advanced Japanese students and researchers have hit the holy grail of film references. Happy researching!

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Conference announcement/Call for Papers: Loveable Losers: The Taira in Action and Memory

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Please see the announcement below for an upcoming conference that we hope will generate new and exciting insights into both premodern Japan and perceptions of it. A fuller description, including presenters and topics, is available at http://www.eastasianstudies.ualberta.ca/TairaConference.aspx .

Please note that we are additionally inviting junior scholars and graduate students to submit proposals to join us for an additional session.

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“Loveable Losers: The Taira in Action and Memory”

Students, scholars and anyone interested in Japanese culture are invited to attend an inter-disciplinary conference, sponsored in part by the Social Sciences and Humanities Research Council of Canada, which will feature presentations by fourteen scholars and five respondents from the United States, Canada, Japan and Europe.  We are also inviting junior scholars to give presentations (see Call for Papers below).

Place:      Banff Centre, Banff, Alberta, Canada

Date:       August 13-15, 2011

Description:  History records that the Taira were soundly defeated by the Minamoto in the Genpei War of the twelfth century. Yet even as the Minamoto went on to establish Japan’s first warrior government, the Taira, losers in the war, came to be celebrated in numerous literary and artistic works.  The conventional narrative of the Taira as successful imitators of court culture but unsuccessful innovators in the political and economic spheres has long been sustained by a scholarly tendency to confine inquiries to traditional academic divisions, while overarching treatments have been woefully lacking. This conference will bridge disciplinary divides and question the cultural stereotypes of the Taira, as scholars from different discipline–including history, literature, religion, and art history–examine the Taira from a variety of perspectives. It is our hope that by transcending disciplinary boundaries the conference will yield a far richer understanding of the Taira as both agents in their own time and cultural heroes in later ages, and will illuminate the construction and social roles of cultural icons in general.

The conference is a collective effort organized by Mikael Adolphson, Professor of Japanese Cultural Studies at the University of Alberta, Anne Commons, Associate Professor of Japanese Literature at the University of Alberta, and Joshua Mostow, Professor of Japanese Literature at the University of British Columbia.

Registration:  Pre-registration for attendees is required by July 15. Please send your name, institutional affiliation (if available), mailing address (department or home), email contact, and intended dates of attendance so that we can assist you in making arrangements to Anne Commons at acommons@ualberta.ca .  Please specify “Taira Conference Registration” in the subject line.

Call for Papers:  In addition to the presentations by invited speakers, we invite presentation proposals in any discipline on the Taira or related topics from any era by junior scholars, including graduate students. Financial support for accepted presenters may be available pending final approval of conference funding. Applicants should submit a 250-word abstract, along with their name, email address and institutional affiliation, to Mikael Adolphson at madolphs@ualberta.ca by May 15. Presentations are expected to be approximately twenty minutes long.

Inquiries:  Please direct enquiries to either Mikael Adolphson (madolphs@ualberta.ca ) or Anne Commons (acommons@ualberta.ca ).  Further information may be found on our conference website at http://www.eastasianstudies.ualberta.ca/tairaconference.

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Visiting Assistant Professor, Japanese literature

Institution: The University of Iowa
Location:   Iowa, United States
Position:   Visiting Assistant Professor
Visiting Position in Japanese Literature and Culture

The Department of Asian and Slavic Languages and Literatures invites applications for a Visiting Assistant Professor position in Japanese literature for the 2011-2012 academic year. Appointment requires the PH.D. by August 2011. The successful candidate will show evidence of an active research agenda and teaching experience, with the ability to contribute to general undergraduate offerings in modern and contemporary Japanese literature and culture, as well as advanced courses for majors. Teaching load for the visiting position is three courses each semester.

Candidates must submit applications on line at http://jobs.uiowa.edu . Do not mail paper applications. Screening applications begins April 15th and will continue until the position is filled. Attachments to the online applications should include cover letter, curriculum vitae and an article-length writing sample. Refer to requisition number 59291. Please send three letters of recommendation by mail to: Search Committee Chair, Department of Asian and Slavic Languages and Literatures, 111 Phillips Hall, The University of Iowa, Iowa City, IA 52242.

The Department and the College of Liberal Arts and Sciences are strongly committed to gender and ethnic diversity; the strategic plans of the University, College and Department reflect this commitment. Women and minorities are encouraged to apply. The University of Iowa is an Affirmative Action/Equal Opportunity Employer.

Contact:

Search Committee Chair
Department of Asian and Slavic Languages and Literatures
111 Phillips Hall
The University of Iowa
Iowa City, IA 52242.
Website: http://clas.uiowa.edu/dwllc/

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Fun Link Friday: Energy Conservation Posters

Even in the face of disaster, one thing Japan doesn’t lack is morale. That, and an innate sense of cute culture, both of which we see in this week’s Fun Link Friday feature. What are we looking at? The fantastic designs of Japan’s most recent energy conservation posters concerning the electricity crisis. Originally posted up by Pink Tentacle last week, a community of graphic designers on Twitter has come together to encourage those in Tokyo and other affected areas to conserve power so there’s enough to go around for those who need it. Some of the designs are cute, others sleek, but all of them are pretty awesome, so take a look!

Here’s just a handful:

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All the designs are pretty amazing, so check out the original article and more posters here! Have a great weekend!

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Emergency Assistance Fund for U.S.-based Japanese Students

Know any Japanese students studying in the U.S. who were hard hit by the disasters last month? Do they need financial help? Send along this information! The deadline (April 4) is fast approaching!

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The Institute of International Education (IIE), with support from the Freeman Foundation, has created an emergency grants program to help students from Japan on U.S. campuses whose home country support has been devastated by the recent earthquake and tsunami.

Japan-EAF (Emergency Assistance Fund) will provide grants of up to $5,000 to students from those regions hardest hit by the earthquake and tsunami (including Miyagi, Fukushima, and Iwate prefectures) who are enrolled in U.S. colleges and universities and face serious financial difficulties due to the recent tragedy in their home country. Accredited United States campuses are invited to nominate students at their institutions for whom help is needed for the spring semester 2011.

International Student Advisers or other campus officials are invited to submit nominations to IIE. Students cannot apply directly. To nominate students, advisers should complete the Japan EAF nomination form and e-mail it to JapanEAF@iie.org. The first round of grant nominations should be submitted to IIE by April 4th, 2011. If funding permits, IIE will consider applications on a rolling basis after the deadline.

According to data in IIE’s Open Doors 2010 report, produced with support from the U.S. Department of State, colleges and universities reported nearly 25,000 students from Japan studying in the United States, about 52% at the undergraduate level. Japan is the sixth leading sender of students to the United States. IIE is currently surveying campuses to find out how many are from the most seriously affected regions and facing financial hardship due to recent events. United States campuses are beginning to provide support, but more help is needed so that these students can complete their studies.

Allan Goodman, president and CEO of the Institute of International Education, said, “Our goal is to help relieve the financial burden that is compounding these students’ personal distress, and to encourage them to complete their U.S. studies so they can return home with the skills and new knowledge to help rebuild their shattered communities.”

To be considered for an Emergency Assistance award of up to $5,000, the nominated student must:

  • Demonstrate how their financial resources were seriously disrupted by the March 2011 earthquake and tsunami.
  • Be enrolled in an accredited U.S. higher education institution as of January 1, 2011
  • Be in good academic standing, as defined by the host campus
  • Have the appropriate non-immigration visa status (U.S. citizens and permanent residents are ineligible to apply.)

If possible, U.S. host campuses nominating students for Japan-EAF awards will also be expected to provide emergency assistance to the nominated students through tuition waivers, full or partial scholarships, housing, stipends, loans, work study, or other forms of support.

While preference will be given to degree-seeking undergraduate students, graduate and non-degree students with pressing needs will also be considered.

To make these emergency grants, the Institute will draw upon a special fund created by IIE and the Freeman Foundation to assist students from Asia facing major crises at home or in the United States. The Fund has previously been used to assist U.S.-based students from Asia during the financial crisis in the late 1990s, after the tsunami in Southeast Asia in 2004, and following Hurricane Katrina in 2005.

IIE has a long history of mobilizing support to help students and scholars in need throughout the world. The Institute’s Scholar Rescue Fund provides fellowships for established scholars whose lives and work are threatened in their home countries. In addition, IIE’s Emergency Student Fund provides support for international students facing crisis situations, such as illness or natural disasters.

 

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