Fun Link Friday: Suica Stickers

If you’ve traveled in Tokyo, you’ve likely used a Suica card to make train and subway trips simpler. Today’s fun link over at the Japanese design blog Spoon & Tamago showcases stickers to personalize your Suica penguin, from astronauts to, I kid you not, The Last Supper.

Image from via Spoon & Tamago.

Image from via Spoon & Tamago.

Check out the post for more stickers and a link to the Amazon seller ic CARDWEAR.

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Job Opening: Staff Reporter/Researcher, Tokyo-Chunichi Shimbun

job opening - 5Via JETWit.com.

Position: Staff reporter/researcher
Posted by: Tokyo-Chunichi Shimbun
Type: Full-time
Location: Washington, D.C.
Start Date: As soon as possible
Application Deadline: August 12, 2013

Overview:
Tokyo-Chunichi Shimbun, Japan’s largest regional daily newspaper, is seeking a full-time staff reporter/researcher for its Washington D.C. Bureau.

The job will involve, though not be limited to:
·   monitoring and researching news developments in U.S. economics, politics, and foreign affairs
·   gathering and synthesizing news-related data
·   attending news briefings and Congressional hearings
·   interviewing key sources regarding US economics, politics, and foreign affairs for spot news and features

The main topics covered are political news (White House, Department of State, Department of Defense, Congress, and congressional elections), economic news, and other major domestic news. Some administrative work such as logistics planning, arranging and transcribing are also required.

Qualifications:
The ideal candidate would be resourceful and flexible and be able to juggle multiple tasks on deadline. Must have at least a Bachelor’s Degree, native-level English, and a minimum of one year experience working for the US media or in communications. Japanese language skills are strongly preferred as the primary language spoken in our office is Japanese. A background in economics and/or business would be beneficial.

Compensation:
We offer a competitive salary and comprehensive health insurance. The typical work week is Monday through Friday, 9-5; circumstances may warrant occasional paid overtime. Some domestic travel with Japanese correspondents is also required.

Application Procedure:
Please send resume and cover letter to Eri Urano at tokyochunichi@gmail.com. Only successful candidates will be contacted. No phone calls please.

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Job Opening: Librarian, The Japan Foundation Los Angeles (JFLA)

job opening - 5Institution: The Japan Foundation, Los Angeles (JFLA)
Location: Los Angeles, CA
Education: BA or BS degree required + experience; MA/MLS preferred
Deadline: Aug. 16, 2013
Language: Native English, Business-level Japanese

The Japan Foundation, Los Angeles (JFLA), seeks a friendly, innovative and enthusiastic librarian to be responsible for providing library and research services, maintaining the information center and its collections, and conducting outreach programs utilizing our information center’s collection.

HOURS

35 hours per week. Assignment hours include both evening and weekend shifts based on the needs of JFLA

REPORTS TO

Deputy Director

SALARY RANGE

Commensurate with experience

JOB DESCRIPTION

  1. Provide hospitality to JFLA patrons and visitors
  2. Provide library services in response to the needs of information center users
  3. Plan and coordinate outreach programs utilizing the collection of the information center with outside organizations
  4. Plan and coordinate events for information center users and local community
  5. Maintain the organization of information center materials
  6. Provide effective access to information center collections and resources by maintaining the catalog of materials
  7. Manage the planning, administrative, and budgetary functions of the information center
  8. Perform other related duties assigned by Director or Deputy Director

QUALIFICATIONS

BA or BS degree required, plus three years of library experience or relevant information and public service experience. Area studies MA or MLIS desirable but not required

VISA SUPPORT

Available

REQUIREMENTS

  1. Native level English and business level Japanese language skills
  2. A passion for customer service
  3. Excellent organizational skills
  4. Willingness to work and share in a team environment
  5. Strong motivation to serve others, and work to benefit international society and culture
  6. The ability to communicate effectively in both verbal and written forms
  7. Must have the ability to quickly learn new information technology systems and then be able to train other staff members on those systems
  8. Expertise in Library management and online research
  9. Broad knowledge and interest in Japanese society and culture
  10. Basic accounting skills

See full application details on JFLA’s posting.

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Job Opening: Japanese Language Coordinator, The Japan Foundation Los Angeles (JFLA)

job opening - 5Institution: The Japan Foundation, Los Angeles (JFLA)
Location: Los Angeles, CA
Education: MA required
Deadline: Aug. 16, 2013
Language: Business-level English, business-level Japanese

The Japan Foundation, Los Angeles (JFLA), seeks a friendly and enthusiastic Japanese Language coordinator to be responsible for understanding the current state of Japanese language education in the U.S., providing consulting services, and coordinating meetings and conferences on various strategic planning issues concerning Japanese language education.

HOURS

35 hours per week. Assignment hours include both evening and weekend shifts based on JFLA needs.

REPORTS TO

Deputy Director

SALARY RANGE

Commensurate with experience

JOB DESCRIPTION

  1. Collect and provide information on the current status of Japanese language education in the U.S.
  2. Analyze the latest data on Japanese language education in the U.S.
  3. Enhance awareness of advocacy programs for advancing Japanese language education in the U.S.
  4. Networking with Japanese teachers associations and other foreign language educational organizations
  5. Coordinate meetings and conferences on various strategic planning issues concerning Japanese language education
  6. Provide consultation services for Japanese language teachers and school administrators
  7. Manage planning, administrative, and budgetary matters for meetings and conferences
  8. Perform other related duties assigned by Director or Deputy Director

QUALIFICATIONS

MA Degree (minimum) in Japanese Language, Education, Linguistics; three years of Japanese language teaching experience (preferable)

VISA SUPPORT

Available

REQUIREMENTS

  1. At least business level English and Japanese
  2. Strong knowledge of Japanese education programs in the U.S, and of policies and trends in foreign language education in the U.S.
  3. Three-years work experience as a Japanese language teacher (preferable)
  4. Friendly, considerate, and cooperative person willing to work and share in a team environment
  5. Excellent research, analytical and consulting skills
  6. Good and patient listener, able to provide positive feedback and consultation in a variety of contexts
  7. The ability to communicate effectively in both verbal and written forms
  8. Broad knowledge and interest in Japanese society and culture
  9. Basic accounting skills

Full application details on posting at JFLA.

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Call for Papers: Mechademia Conference on Asian Popular Cultures

SGMS: Mechademia Conference on Asian Popular Cultures 2013
Call for Papers: Fanthropologies

*Location: Minneapolis College of Art and Design, Minneapolis, MN
*Conference Date: September 27-29, 2013
*Submissions Deadline: 20 August 2013

*Special Guest: Hiroki Azuma

Reposted from H-Japan.

Based on the book, Mechademia 5: Fantropologies, SGMS: Mechademia Conference will explore the breadth of fandom and fan cultures. Popular cultural objects and fans — or otaku — are at the center of an ever-expanding network of influences, differences, obsessions, practices, knowledges and performances. Fans have transformed Japanese popular culture into a pervasive global discourse. Fanthropologies will address the vast but disparate movements that have begun to define communities across ethnic and national boundaries. Communities linked by common passions and conceptions are sewn together by conventions, web sites, blogs, downloads, and other performative practices.

With the addition of our special guest, Azuma Hiroki, the conference will also be looking at the political and economic issues, as well as issues of emerging changes in the self conceptions of the Japanese people after and around the Fukushima disaster.

Our subject area extends from the fandoms associated with anime, manga, games, subcultural fashion, and art, fan-based global practices and disaster issues associated with Asian popular cultures. Proposals may include textual readings that problematize the fan experience, critical theories of fandom, and investigations and excavations of fan-produced texts and performances.

For conference presentation panel, submit suggested panel title, and all abstracts, participant names and contact information; or for singular presentation paper submission, please send contact information and a 200-word abstract by August 20, 2013 to: Gretchen Gasterland-Gustafsson at: gretchen_gasterland-gustafsson@mcad.edu

The submission deadline is August 20, 2013. Presentations should be no longer than 20 minutes in length. Projection and other technical facilities will be available in all conference session rooms. Details on hotel accommodation and schedules will be forthcoming. Check the SGMS Facebook site for updates.

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Job Opening: Japanese Art, A. W. Mellon Fellow for Japanese Art

job opening - 5Institution:   Saint Louis Art Museum, Curatorial Affairs
Location:   Missouri, United States
Position:   A. W. Mellon Fellow for Japanese Art

This is a 3-year benefited fellowship with the Saint Louis Art Museum. The main purpose of this Fellowship is to research and evaluate the Lowenhaupt Collection of Japanese Art from the Meiji period (1868-1912), which comprises woodblock prints, paintings, lithographs, photographs, printed books, illustrated books, textiles, ceramics, and works in a variety of other materials. During the 3-year term, the Fellow will work with members of the Department of Asian Art to complete cataloguing of the Lowenhaupt Collection, prepare selected catalogue entries for publication on the Lowenhaupt Collection, assist in the planning of a special exhibition of the Lowenhaupt Collection in 2016, and evaluate other components of the Museum’s Japanese collection. The Fellow will also work with the Design department to develop installations of the Japanese collection; work with the Education Division in the development of programs around the Museums Japanese collection; and is expected to participate in the local and national community of curators, scholars, collectors, and dealers who specialize in Japanese art. Applications must be completed at www.slam.org/careers on or before September 15, 2013. A writing sample and three letters of reference should be uploaded with the online application. Women and minority candidates are strongly encouraged to apply.

Candidates who have completed a Ph.D. with emphasis on Japanese art within the last four years preferred; strong ABD candidates who are close to submission will also be considered. Some museum experience and knowledge of TMS or comparable collections management software preferred.

APPLICATION DEADLINE:  September 15, 2013

EMPLOYMENT DATE:  January 2014

SAINT LOUIS ART MUSEUM IS AN EQUAL OPPORTUNITY EMPLOYER

Contact:
https://www.slam.org/careers

Website: https://www.slam.org/careers

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Japanese Studies M.A. In Action: How My Master’s Degree Prepared Me For My Professional Career

Elizabeth Mekaru is currently a Study Abroad Advisor for the University of Michigan Center for Global and Intercultural Study. She graduated from the University of Michigan in 2005 with a B.A. in Asian Studies, and taught English in Yokohama for two years before returning to U-M to complete her M.A. in Japanese Studies in 2010

Photo by mecookie

Photo by mecookie

I graduated with an M.A. in Japanese Studies in 2010, and since that time I’ve been working as a Study Abroad Advisor. It’s a position that is in many ways my dream job, and even though I don’t sit around talking about Japan all day, I do use my degree in some capacity every day in my professional life. If you had told me this three years ago, I might not have believed you, but now that I have some perspective on the situation, I am able to look back and see how my years in graduate school prepared me perfectly for my current position, even though my position is not directly related to Japanese Studies.

I entered the Japanese Studies master’s program at the University of Michigan knowing a number of very important things. I knew, first and foremost, why I wanted to be there. Unlike my undergraduate experience, I entered graduate school with a level of purpose that I had lacked as an 18-year-old. I knew that I wanted to get a master’s degree for the doors it would potentially open in the job market; I had spent a couple of years teaching English in Japan after graduating with a B.A. in Asian Studies, and I realized very quickly that I was not cut out to be an English teacher in Japan forever; I wanted more from my professional career, and my B.A. was not getting me what I wanted. I also knew, after spending time in Japan, that I wanted to know more about Japan on an academic level. I knew I missed school, and the opportunity to surround myself with and devote energies to the exploration of ideas. I knew also that school was a very safe and fruitful environment in which to cultivate self-reflection, the kind of self-reflection I would need to re-evaluate who I was and what I wanted to do.

“To PhD or Not to PhD,” became the next question, and ultimately I decided against it, in a journey of self-reflection that is worthy of an article unto itself. Suffice it here to say that I was confident in my decision to pursue an M.A. and then move directly on into the professional world. What I was not at all confident about was my ability to make that transition from student to young professional, academic to fill-in-the-blank. I did not know what I wanted to do, nor did I necessarily believe I would have the skills to do it once I figured out what it was.

Students of something as nebulous as Area Studies aren’t necessarily trained to view our education in the context of marketable skills: the academic world asks us, “What do you know?”, while the job market demands, “What can you do?” It can be daunting to come from the academic world into the professional world because it seems like you are leaving academia armed with the answers to the wrong question. It’s an uncertain, and therefore uneasy state of affairs, but having gone through it and come out the other side, I am here to say to you, current or prospective M.A. students of Japanese Studies: you will be able to do a lot with your degree. The time that you’re spending in graduate school is valuable on many levels, and despite the daunting nature of the job market, you are currently honing skills and cultivating a personality that will eventually land you a job.

What follows is a list of some of the ways my M.A. prepared me for my career – you may or may not find it helpful, but I offer it to you because it’s something I would have appreciated knowing when I was starting out.

 

Strength In Small Numbers

Japanese Studies programs are small, and this is a good thing. It means smaller classes, more intimate discussions, greater access to resources, and the opportunity to have closer relationships. Having a small cohort allows you to be challenged and supported far more than what a large cohort could offer: take advantage of this.

I did not approach my time in graduate school with the intention of “networking” (the term makes me uncomfortable because it implies you are trying to “get something” from people), but I did spend the time to cultivate relationships with the people who were in my life – faculty, other students, program staff, people I met at lectures and events – and these relationships allowed me to make connections that eventually led to employment opportunities. I have my job today because I happened to mention to one of my professors that I was interested in getting into the field of study abroad. Two years later, I ran into him at a guest lecture and he told me that he had heard the study abroad office on campus was looking for a new study abroad advisor. I applied, and I have now been working there for three years.

It is never a bad idea to make yourself known and build relationships within a small community like a Japanese Studies program; someone may know someone who may be hiring for a position that’s perfect for you, so talk to people! Talk to them often, and not necessarily just about what you’re studying; tell them what you’re interested in, where you want to go, what you want to do. Consider yourself lucky to be part of a small community; we are here to support and encourage each other, so don’t miss out.

Self Reflection

I look back very fondly on my time in grad school as a privilege: I got to spend every day sitting with some of the most brilliant minds in the country, listening to really smart people talk about really interesting things. And that’s what I did “for a living.”

Appreciate how lucky your position is. It’s easy to get stressed about deadlines and kanji strokes, and the bigger question of “what’s next”, but there is incredible value in the ability to recognize and enjoy the present moment. We are wired to always be looking forward, but I found that allowing myself to focus inward, on my daily life as a grad student, helped me to determine my likes and my aptitudes. You can’t figure out what you want to do with your life without a firm understanding of these two things, and I found that graduate school was the place that helped me define them for myself.

Take a look at your daily life in grad school and ask yourself what it is you like about it. This will help you to understand what you’re good at, and ultimately will help inform what it is you do for a job. On a very basic level, I like to read and write, and in my current profession I do both of those things nearly constantly. I enjoyed being around faculty – really smart people who march to their own beat – and in my current profession I get to work with faculty frequently; I get to be around them and hear their ideas, and help them to do their jobs. I also enjoyed being around the younger students, when I would see them at lectures, or at events. The thoughts and concerns of college students are of interest to me; I enjoy helping people who have a lot of questions and are interested in learning and growing, and now I get to work with those people every day.

Self Confidence

I was 25 years old when I started graduate school. I shudder to think that at that age I had not yet mastered the basic art of speaking and being spoken to, but I was definitely in the category of social awkwardness.  When I really began to examine this, I realized that much of my lack of confidence came from my lack of knowledge. I am the kind of person who does not like to speak for the sake of speaking; if I am going to say something, I want that something to have substance, and being an M.A. student gave me that confidence. Sitting in a class of four students with one of the top scholars in the field, you’re going to be called upon to speak your mind, and when you speak, you’d better say something worthwhile. And here’s the key that I discovered through that experience: you don’t have to know what you’re talking about all the time! True self-confidence comes from ownership of your own knowledge, the ability to speak intelligently about what it is you do know, but also to be able to admit that you don’t know everything.

Once I made that realization, I became much more relaxed, and my ability to engage in intelligent, worthwhile conversations increased, because I was no longer distracted by the worry that people would discover that I don’t have all the answers. I have come out of graduate school a much more eloquent and self-confident person, not only because I can speak with confidence about certain topics, but because I stopped pressuring myself to know everything.

We have all encountered the person who covers up what he or she doesn’t know by using a lot of words, and we all can recognize this as a sign of insecurity. Give yourself permission to not be that person. Take pride in what you know, but don’t feel pressured to act like you know it all. The right people will notice and appreciate this, trust me; I work with undergraduate students every day, and I can tell you for a fact that they are not interested in working with a show-boater who dances around questions and gives complicated explanations in order to cover up the fact that she doesn’t have the information. Students just want the accurate information, even if it takes me a few days to find it, so I have no reason to pretend like I know things that I don’t; my self-confidence allows me to be honest with students, and this helps them have more confidence in me.

Research

I’ve already mentioned that it’s okay not to have all the answers. The other key skill that my M.A. brought me was the ability to find the answers when I don’t have them. Japanese Studies is a lot of reading and writing and looking things up. M.A. students spend countless amounts of time in archives, libraries, and websites, sifting through hundreds of years’ worth of material. It is a daunting task, and learning how to navigate that space is a valuable skill.

For many employers, it is not important that you know everything, but that you are trainable; that you learn fast. This is one thing that Area Studies courses really prepare you to handle: we are information gathers and information synthesizers: we identify a problem, identify where we can find the answers, go and get the materials, read them, summarize the most relevant information and then re-present it in a new way, to explore new ideas and fresh perspective. It may sound obvious, but these skills are 90% of what most jobs entail on a daily basis. The ability to gather and synthesize information is a basic job skill that is applicable to virtually any field you enter as a professional.

Putting It All Together

In summary, my time in the Japanese Studies M.A. program at U of M prepared me for my professional career in a number of significant ways: it helped me build connections (to network without intentionally networking), it helped me to figure out what I’m good at, it bolstered my self-confidence, and it taught me how to be an effective researcher. To put that into “resume speak”, that means I am: great with people, I have strong communication skills (verbal and written), and I have highly-developed critical thinking and problem-solving skills that allow me to learn quickly and adapt to any task that comes my way.

This experience helped me to leave academia and enter the professional world with confidence. I certainly came away from the M.A. program knowing a lot of things about Japan, but additionally (and perhaps even more importantly), I came away from it a more confident person, with a list of tangible and marketable skills that have been invaluable to me as a young professional.

Elizabeth Mekaru
Intercultural Programs Advisor
Center for Global and Intercultural Study, University of Michigan
Contact: emekaru@umich.edu

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International Invitation Program: Animation Artist in Residence, Tokyo 2014

job opening - 5Via Art Radar.

International Invitation Program for Animation Artists
Animation Artist in Residence Tokyo 2014 Application Guide

Deadline: Sept 9, 2013

1. Aims of the project:
This project, organized by the Agency for Cultural Affairs (Bunka-cho / Government of Japan), is an artist in residence program which aims to provide three outstanding young animation artists from around the world with an opportunity to come to Tokyo and create new works while directly interacting with Japanese animation culture. In doing so, we aim to promote both the creation of excellent works of animation and a better understanding of Japanese culture.
2. Target field: Animation production
3. Number of applicants accepted: 3
4. Duration of the program: 70 days between January 7th and March 17th 2014
5. Support provided

  • Travel expenses
  • Living allowance
  • Travel insurance
  • Rental accommodation (including workspace)
  • Location: Tokyo
  • Expert assistance
  • Opportunity to present finished work
  • Opportunities to interact with Japanese creators

6. Program summary

  • Education/training: participants will give reports on the progress of their work being created as part of the program and will receive guidance from accomplished Japanese animators/experts on a regular basis.
  • Visits/exchange events: participants will visit animation studios and participate in exchange events with artists and students enrolled in art programs at educational institutions.
  • Creation of a new work: participants will begin a new work while in Japan and present the finished work or one part of a work in progress at the end of their stay.

7. Conditions of participation

  • Applicants must:
  • Reside outside of Japan and be a citizen of a country other than Japan.
  • Have had one of their animated works screened at an international film
  • festival, exhibition or similar event.
  • Be between the ages of 20 and 35 on September 9th 2013.
  • Be able to speak either English or Japanese at least well enough to communicate in everyday situations.
  • Be in good health.
  • Have access to the equipment necessary to participate in a remote interview (i.e. a computer capable of connecting to the internet and using
  • Skype).

8. Application period
Applications will be accepted beginning July 1st 2013. Application forms and all required documents/materials must be received by this office by September 9th.
9. Application procedure
A. Fill out the application formFill out the application form (you can download this( Excel ) form from the Japan Image Council website)
B. Documents/materials to be submitted:

  • Documents describing the work to be created as part of this program. It is preferable that applicants submit documents (story board, script, etc.) which make it possible to understand plans for the work in detail.
  • Upload up to 3 of your previous works to YouTube or Vimeo (include a password if necessary). In the case of an installation, upload any additional materials other than video and write the link at which they can be accessed on your application form.
  • Proof of a work having been screened at a film festival, featured in an exhibition, etc. (e.g. a copy of the list of works in a festival catalogue). Proof of more than one film having been screened is not required.
  • Proof of age and citizenship (e.g. a photocopy of your passport).
  • To complete the application process, please send the application form (A) and the required documents and materials (B) via email attachments to the following address: entry2014@japic.jp
  • If your circumstances do not allow you to upload video to the Internet submission via DVD or other video media may be accepted. In such cases our office must be contacted in advance.

10. Selection
A selection committee composed of experts in this field will make two rounds of selections (the first based on applications, the second based on interviews conducted via the Internet) to arrive at a preliminary list of candidates to be invited to participate in the program. Those selected will be contacted at the beginning of November and once all conditions of participation have been confirmed the selection will be formally announced.

Full application details at Japan Image Council (Japic).

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Funding: The Fung Global Fellows Program at Princeton University

money [150-2]Location: New Jersey, United States

The Fung Global Fellows Program, a program for visiting scholars administered by the Princeton Institute for International and Regional Studies at Princeton University, is currently accepting applications for the 201415 academic year from international scholars working on new, innovative ways to study Global Diffusion, the programs theme for that year. Scholars in the social sciences and humanities at institutions in any region of the world other than the United States who have received their Ph.D within the past ten years are invited to apply. For more information about the program, eligibility requirements, and the application process go to www.princeton.edu/funggfp. Applications are due on November 1, 2013.
Princeton University is an equal opportunity employer and complies with applicable EEO and affirmative action regulations.

Fung Global Fellows Program
Princeton Institute for International and Regional Studies
338 Aaron Burr Hall – Princeton University
Princeton, NJ 08544
Tel: 609.258.2453
Fax: 609.258.3988

Email: fung-gfp@princeton.edu
Visit the website at http://www.princeton.edu/funggfp/

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Funding: 2013 Abe Fellowship Competition

money [150-2]2013 ABE FELLOWSHIP COMPETITION

Deadline: September 1, 2013
http://www.ssrc.org/fellowships/abe-fellowship/

The Social Science Research Council (SSRC), the Japan Foundation Center for Global Partnership (CGP), and the American Council of Learned Societies (ACLS) announce the annual Abe Fellowship competition. The Abe Fellowship is designed to encourage international multidisciplinary research on topics of pressing global concern. The Abe Fellowship Program seeks to foster the development of a new generation of researchers who are interested in policy-relevant topics of long-range importance and who are willing to become key members of a bilateral and global research network built around such topics.

THE ABE FELLOWSHIP RESEARCH AGENDA
Applicants are invited to submit proposals for research in the social sciences and related fields relevant to any of the following three themes:

*Traditional and Non-Traditional Approaches to Security and Diplomacy*
Topic areas include transnational terrorism, internal ethnic and religious strife, infectious diseases, food safety, climate change, and non-proliferation, as well as the role of cultural initiatives in peace building.
*Global and Regional Economic Issues*
Topic areas include regional and bilateral trade arrangements, international financial stability, globalization and the mitigation of its adverse consequences, sustainable urbanization, and environmental degradation.
*Social and Cultural Issues*
Topic areas include demographic change, immigration, the role of civil society and media as champions of the public interest, social enterprise, corporate social responsibility, and revitalization of multi-cultural urban areas.

Research projects should be policy relevant, contemporary, and comparative or transnational.

FELLOWSHIP TERMS
Terms of the fellowship are flexible and are designed to meet the needs of Japanese and American researchers at different stages in their careers. The program provides Abe Fellows with a minimum of three and maximum of 12 months of full-time support over a 24 month period. Part-time residence abroad in the United States or Japan is required.

ELIGIBILITY
* This competition is open to citizens of the United States and Japan as well as to nationals of other countries who can demonstrate a serious, long-term affiliation with research communities in the United States or Japan.
* Applicants must hold a Ph.D. or the terminal degree in their field, or equivalent professional experience at the time of application. Applications from researchers in professions other than academia are encouraged.

CONTACT DETAILS
For further information and to apply, go to:
http://www.ssrc.org/fellowships/abe-fellowship/

Contact SSRC staff at abe@ssrc.org

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